Marian Bantjes is a well-known Canadian graphic designer who is known for her complex, highly patterned and ornately ornamented graphic style. Graphic designer & design educator, Denise Gonzalez Crisp, coined the term: “decorational”, which compliments Bantjes’ graphic style. While decoration and rationality aren’t normally paired with one another, within this concept of the “decorational” – both concepts seem to be symbiotically intertwined, with each part informing the other. Or as Crisp says, “function is completed by ornament.”
Twemlow also notes that “The intricacy necessary to make patterns or to construct ornament suggests that a real attention is being paid to the craft of making and to detail.” This statement perfectly describes the complex design aesthetic of Bantjes.
There is an expressiveness, excessiveness, and freedom that is allowed within the realm of ornament, yielding unique and beautiful outcomes.
In Alice Twemlow’s essay, The Decriminalization of Ornament, there are several references to designers, galleries, etc., that I was not familiar with. Here’s a handy all-in-one visual companion with links to go along with that essay.